by Dr Woo Fook Wah –
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Description
Dr Woo graduated from the MA Asian Art Histories Programme in 2014. This paper is an outcome of the Chinese Art and Cultural Research Grant, which is a collaboration between the Singapore Chinese Cultural Centre and the MA Asian Art Histories Programme. Dr Woo is the first recipient of the grant. Read more.... The Journey of Minds: Chinese Modernity and Chinese Ink Painting in Singapore
Category - essays and articles
by Dr Woo Fook Wah –
Click here to view PDF.
Description
Dr Woo graduated from the MA Asian Art Histories Programme in 2014. This paper is an outcome of the Chinese Art and Cultural Research Grant, which is a collaboration between the Singapore Chinese Cultural Centre and the MA Asian Art Histories Programme. Dr Woo is the first recipient of the grant. Read more.... 
by Iola Lenzi -
Introduction
In his review of the Southeast Asian art exhibition of 2010 Making History Tony Godfrey, the author of Conceptual Art, assesses works by Alwin Reamillo (b.1964), Mella Jaarsma (b.1960), Vasan Sitthiket (b.1957),Tang Da Wu (b.1943), Nge Lay (b.1979), Green Zeng (b.1972), and Bui Cong Khanh (b.1972) as difficult to read, “... its (the exhibition’s) weakness is the 
by Rachel Choo
The ancient Silk Road – actually a network of established roads, unkempt pathways and evanescent desert trails – conducted goods, ideas, adventurers, spies, diplomats and armies from China, across the Eurasian continent to India, the Mideast and Europe, and back. The road has become a fabled metaphor for cosmopolitan wayfaring and exchange, despite the fact that it was also a 
by Iola Lenzi
In his latest novel Map of the invisible World, Malaysian author Tash Aw discusses selective amnesia in the context of Indonesian history. One of his protagonists notes that Europeans remember bad things, while Asians forget them-as a way of erasing pain-, concluding that “…to be ignorant of one’s true history is to live in a void…where you do not really exist…”. Thai art