by Iola Lenzi -
In Southeast Asia, art has traditionally been connected intimately with life. Wayang kulit, wood-block prints, sacred murals and architecture, and more recently twentieth century social realism, have directly and indirectly described society and its ills. In the late twentieth century however, visual art in the region moves beyond commentary to adopt a more activist stance.
Read more.... Art as Voice: political art in Southeast Asia at the turn of the twenty-first century
Category - essays and articles
by Iola Lenzi -
In Southeast Asia, art has traditionally been connected intimately with life. Wayang kulit, wood-block prints, sacred murals and architecture, and more recently twentieth century social realism, have directly and indirectly described society and its ills. In the late twentieth century however, visual art in the region moves beyond commentary to adopt a more activist stance.
Read more.... 
by Paul Khoo -
I begin my essay with this rather extended quote from one of Indonesia’s most thoughtful curators, Enin Supriyanto. 2011 has been a great year for Indonesian art, especially on the global front. Not since the AWAS! (BEWARE!) show traveled the world in the late nineties has Indonesian art found such a large audience abroad outsides the niches of the Asian biennale circuit. But celebrity