by Nurdiana Rahmat and Theresa Tan
On 18 March 2020, Taiwan made the announcement that all foreign nationals will be barred from entering the country. This is the new reality we are living in the thick of the global coronavirus pandemic. It is hard to believe now that just about four months ago, at the end of November, the Asian Art Histories students were in Taiwan and experiencing one of the most Read more.... MA Asian Art Histories Taipei Study Trip 2019
Category - overseas study trips
by Nurdiana Rahmat and Theresa Tan
On 18 March 2020, Taiwan made the announcement that all foreign nationals will be barred from entering the country. This is the new reality we are living in the thick of the global coronavirus pandemic. It is hard to believe now that just about four months ago, at the end of November, the Asian Art Histories students were in Taiwan and experiencing one of the most Read more.... 
by Tanya Michele Amador and Hafiiz Karim
Bangkok has a long tradition of arts and culture and a diverse contemporary arts scene that continues to grow, as the city takes its place on the global stage. Our cohort from the MA Asian Art Histories Programme went on a study trip to Bangkok, Thailand from 10 to 14 December 2018. The highlight of the trip was the Bangkok Art Biennale (BAB). The BAB featured 
by Chua Yi Wen & Yvonne Chan
The class of 2018 for Master of Arts in Asian Art Histories visited Phnom Penh this year for our study trip from 11-15 December 2017. Despite the Cambodian contemporary art scene being relatively young, it is rich, colourful and dynamic. Thanks to the careful curation and planning by our lecturer Clare Veal, we met people across the whole spectrum of the art scene, 
by Usha Das
“Why not ask again?” This was the curatorial theme of the 11th Shanghai Biennale which the 2016 cohort of the MA Asian Art Histories Programme students were privileged to attend as part of our overseas study trip. This was indeed a fitting question as it brought to the fore issues which we had covered in the classroom during the very first semester of the MA Asian Art Histories Programme. 
by Christiaan Haridas, Hsu Chin Miao and Yeow Ju Li
There was no better place to begin our trip and introduction to Indian art history than a visit to the National Museum, New Delhi, where we were awed by the richness of the Indus Valley civilisation as seen through its collection of Harrapan, Mauryan and Buddhist artefacts, and miniature paintings (Fig. 1). There, we learnt about the iconography