by Christiaan Haridas, Hsu Chin Miao and Yeow Ju Li
There was no better place to begin our trip and introduction to Indian art history than a visit to the National Museum, New Delhi, where we were awed by the richness of the Indus Valley civilisation as seen through its collection of Harrapan, Mauryan and Buddhist artefacts, and miniature paintings (Fig. 1). There, we learnt about the iconography Read more.... Study Trip to New Delhi – 7-12 December 2015
Category - overseas study trips
by Christiaan Haridas, Hsu Chin Miao and Yeow Ju Li
There was no better place to begin our trip and introduction to Indian art history than a visit to the National Museum, New Delhi, where we were awed by the richness of the Indus Valley civilisation as seen through its collection of Harrapan, Mauryan and Buddhist artefacts, and miniature paintings (Fig. 1). There, we learnt about the iconography Read more.... 
by Iola Lenzi -
Introduction
In his review of the Southeast Asian art exhibition of 2010 Making History Tony Godfrey, the author of Conceptual Art, assesses works by Alwin Reamillo (b.1964), Mella Jaarsma (b.1960), Vasan Sitthiket (b.1957),Tang Da Wu (b.1943), Nge Lay (b.1979), Green Zeng (b.1972), and Bui Cong Khanh (b.1972) as difficult to read, “... its (the exhibition’s) weakness is the 
Noted Indonesian art critic and curator Jim Supangkat will deliver the fourth MA Asian Art Histories Annual Lecture on 25 March 2015.
Distinguished Speaker : Jim Supangkat
Moderator : Professor Yvonne Spielmann
Wed 25 March 2015
7.00pm-9.00pm
Block F Level 2 #F202
LASALLE College of the Arts
1 McNally Street
Free admission (on a first-come first-served basis)
RSVP: wulandani.dirgantoro@lasalle.edu.sg
A 
by Rachel Choo
The ancient Silk Road – actually a network of established roads, unkempt pathways and evanescent desert trails – conducted goods, ideas, adventurers, spies, diplomats and armies from China, across the Eurasian continent to India, the Mideast and Europe, and back. The road has become a fabled metaphor for cosmopolitan wayfaring and exchange, despite the fact that it was also a 
by Stephanie Xatart and Samantha Segar
The much anticipated study trip of the Asian Art Histories 2014/15 Master’s Programme took us to Taipei, Taiwan. The trip was from 9 Dec to 13 Dec 2014.
There we were delighted to explore many facets of Taipei’s vibrant and edgy art scene. The first stage of our cultural journey took us to the Taipei Biennale where we attempted to come to terms with