{"id":166,"date":"2013-04-05T05:44:47","date_gmt":"2013-04-05T05:44:47","guid":{"rendered":"http:\/\/www.asianarthistories.com\/site\/?page_id=166"},"modified":"2019-07-01T14:46:00","modified_gmt":"2019-07-01T14:46:00","slug":"suggested-readings","status":"publish","type":"page","link":"https:\/\/www.asianarthistories.com\/site\/suggested-readings\/","title":{"rendered":"Suggested Readings"},"content":{"rendered":"Recommended Reading List (Books and Exhibition Catalogues Only)\r\n\r\nSoutheast of Now: Directions in Contemporary and Modern Art in Asia\r\n\r\nAsia-Pacific Triennial of Contemporary Art. Catalogues of the First, Second,Third, Fourth, Fifth, Sixth and Seventh Asia-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery, 1993\u20132012.\r\n\r\nBattiston, Eleanor and Primo Marella, eds. Post-Tsunami <a href=\"https:\/\/www.asianarthistories.com\/site\/suggested-readings\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>Recommended Reading List (Books and Exhibition Catalogues Only) Southeast of Now: Directions in Contemporary and Modern Art in Asia Asia-Pacific Triennial of Contemporary Art. Catalogues of the First, Second,Third, Fourth, Fifth, Sixth and Seventh Asia-Pacific Triennial of Contemporary Art. Brisbane: &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/suggested-readings\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-166","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6nnKk-2G","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/pages\/166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=166"}],"version-history":[{"count":8,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/pages\/166\/revisions"}],"predecessor-version":[{"id":1356,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/pages\/166\/revisions\/1356"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}