{"id":168,"date":"2013-04-05T05:45:08","date_gmt":"2013-04-05T05:45:08","guid":{"rendered":"http:\/\/www.asianarthistories.com\/site\/?page_id=168"},"modified":"2024-11-17T23:32:23","modified_gmt":"2024-11-17T23:32:23","slug":"recent-releases","status":"publish","type":"page","link":"https:\/\/www.asianarthistories.com\/site\/recent-releases\/","title":{"rendered":"Recent Publications"},"content":{"rendered":"Recent Publications (2011 to Present)\r\n\r\nIola Lenzi, Power, Politics and the Street, Lund Humphries, 2024\r\n\r\nProviding a recent history of Southeast Asian art linked to the social and political contexts in which the illustrated work emerged, this groundbreaking book reveals the innovative creative strategies, often covertly encroaching on public space, developed by regional artists to ensure the communication <a href=\"https:\/\/www.asianarthistories.com\/site\/recent-releases\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>Recent Publications (2011 to Present) Iola Lenzi, Power, Politics and the Street, Lund Humphries, 2024 Providing a recent history of Southeast Asian art linked to the social and political contexts in which the illustrated work emerged, this groundbreaking book reveals &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/recent-releases\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-168","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6nnKk-2I","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/pages\/168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=168"}],"version-history":[{"count":37,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/pages\/168\/revisions"}],"predecessor-version":[{"id":1856,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/pages\/168\/revisions\/1856"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}