{"id":1261,"date":"2018-06-28T12:14:56","date_gmt":"2018-06-28T12:14:56","guid":{"rendered":"http:\/\/www.asianarthistories.com\/site\/?p=1261"},"modified":"2018-06-28T12:14:56","modified_gmt":"2018-06-28T12:14:56","slug":"2011-theses","status":"publish","type":"post","link":"https:\/\/www.asianarthistories.com\/site\/2011-theses\/","title":{"rendered":"2011 Theses"},"content":{"rendered":"Name: Gerald Tan\r\nYear: 2011\r\nThesis Title: Buddhist Art and the Development of Neo-traditionalism in Thailand\r\nThesis Abstract\r\nThis thesis sets out to chart the development of traditional Buddhist art through the course of Thai history to the contemporary period. It aims to show how the original didactic practice of Buddhist art has deviated into neo-traditionalism, where Buddhism is used in art <a href=\"https:\/\/www.asianarthistories.com\/site\/2011-theses\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>Name: Gerald Tan Year: 2011 Thesis Title: Buddhist Art and the Development of Neo-traditionalism in Thailand Thesis Abstract This thesis sets out to chart the development of traditional Buddhist art through the course of Thai history to the contemporary period. &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/2011-theses\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1261","post","type-post","status-publish","format-standard","hentry","category-thesis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-kl","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=1261"}],"version-history":[{"count":1,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1261\/revisions"}],"predecessor-version":[{"id":1262,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1261\/revisions\/1262"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=1261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=1261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=1261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}