{"id":1263,"date":"2018-06-28T12:16:00","date_gmt":"2018-06-28T12:16:00","guid":{"rendered":"http:\/\/www.asianarthistories.com\/site\/?p=1263"},"modified":"2018-06-28T12:16:00","modified_gmt":"2018-06-28T12:16:00","slug":"2012-theses","status":"publish","type":"post","link":"https:\/\/www.asianarthistories.com\/site\/2012-theses\/","title":{"rendered":"2012 Theses"},"content":{"rendered":"Name: Kong Yen Lin\r\nYear: 2012\r\nThesis Title:  Rise of Modernism in Singapore Photography, 1950s to 1980s: Aesthetic Negotiation through an Ethnic and National Identity Prism\r\nThesis Abstract:\r\nThis thesis traces the development of modern photography in Singapore alongside the crucial decades of socio-political and economic growth of the nation ever since attaining self-governance in 1959 till the <a href=\"https:\/\/www.asianarthistories.com\/site\/2012-theses\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>Name: Kong Yen Lin Year: 2012 Thesis Title: Rise of Modernism in Singapore Photography, 1950s to 1980s: Aesthetic Negotiation through an Ethnic and National Identity Prism Thesis Abstract: This thesis traces the development of modern photography in Singapore alongside the &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/2012-theses\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1263","post","type-post","status-publish","format-standard","hentry","category-thesis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-kn","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=1263"}],"version-history":[{"count":1,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1263\/revisions"}],"predecessor-version":[{"id":1264,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1263\/revisions\/1264"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=1263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=1263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=1263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}