{"id":1267,"date":"2018-06-28T12:19:23","date_gmt":"2018-06-28T12:19:23","guid":{"rendered":"http:\/\/www.asianarthistories.com\/site\/?p=1267"},"modified":"2018-06-28T12:19:23","modified_gmt":"2018-06-28T12:19:23","slug":"2014-theses","status":"publish","type":"post","link":"https:\/\/www.asianarthistories.com\/site\/2014-theses\/","title":{"rendered":"2014 Theses"},"content":{"rendered":"Name: Woo Fook Wah\r\nYear: 2014\r\nThesis Title: \u201cI Paint What I See.\u201d Looking at the Art of Wee Shoo Leong from a Nanyang Perspective and Beyond\r\nThesis Abstract\r\nThis thesis analyses the art of Wee Shoo Leong produced between 1990 and 2011. It focuses on his still life paintings and traces the evolution of his art as works that mirror the Nanyang style and its development beyond this genre. These <a href=\"https:\/\/www.asianarthistories.com\/site\/2014-theses\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>Name: Woo Fook Wah Year: 2014 Thesis Title: \u201cI Paint What I See.\u201d Looking at the Art of Wee Shoo Leong from a Nanyang Perspective and Beyond Thesis Abstract This thesis analyses the art of Wee Shoo Leong produced between &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/2014-theses\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1267","post","type-post","status-publish","format-standard","hentry","category-thesis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-kr","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=1267"}],"version-history":[{"count":1,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1267\/revisions"}],"predecessor-version":[{"id":1268,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1267\/revisions\/1268"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=1267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=1267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=1267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}