{"id":1271,"date":"2018-06-28T12:22:38","date_gmt":"2018-06-28T12:22:38","guid":{"rendered":"http:\/\/www.asianarthistories.com\/site\/?p=1271"},"modified":"2018-06-28T12:22:38","modified_gmt":"2018-06-28T12:22:38","slug":"2016-theses","status":"publish","type":"post","link":"https:\/\/www.asianarthistories.com\/site\/2016-theses\/","title":{"rendered":"2016 Theses"},"content":{"rendered":"Name: Yeow Ju Li\r\nYear: 2016\r\nThesis Title: Problematising the Malay Artist in Singapore: Impact of\r\nIdentity, Socio-Politics and the Art World on Art Making\r\nThesis Abstract\r\nThis thesis seeks to re-examine the contributions of Malays, with particular focus on post-second generation practitioners, to document their practice and methodologies, and the influences behind their work.  Through four case <a href=\"https:\/\/www.asianarthistories.com\/site\/2016-theses\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>Name: Yeow Ju Li Year: 2016 Thesis Title: Problematising the Malay Artist in Singapore: Impact of Identity, Socio-Politics and the Art World on Art Making Thesis Abstract This thesis seeks to re-examine the contributions of Malays, with particular focus on &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/2016-theses\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1271","post","type-post","status-publish","format-standard","hentry","category-thesis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-kv","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=1271"}],"version-history":[{"count":1,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1271\/revisions"}],"predecessor-version":[{"id":1272,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1271\/revisions\/1272"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=1271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=1271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=1271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}