{"id":1281,"date":"2018-07-03T14:22:03","date_gmt":"2018-07-03T14:22:03","guid":{"rendered":"http:\/\/www.asianarthistories.com\/site\/?p=1281"},"modified":"2018-07-03T14:22:03","modified_gmt":"2018-07-03T14:22:03","slug":"2018-theses","status":"publish","type":"post","link":"https:\/\/www.asianarthistories.com\/site\/2018-theses\/","title":{"rendered":"2018 Theses"},"content":{"rendered":"Name: Albert Lim\r\nThesis Title: Reimaging \u201cMalayness\u201d through the artworks of Fyerool Darma\r\nThesis Abstract: \r\nHaving graduated in 2012 from LASALLE College of the Arts with a Bachelor of Arts (Honours), Fyerool Darma began experimenting with a \u201cself-absorbed\u201d body of work entitled, \u201cThe Muted\u201d. It was a series of paintings of oppressed peoples. However, dissatisfied with the paintings <a href=\"https:\/\/www.asianarthistories.com\/site\/2018-theses\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>Name: Albert Lim Thesis Title: Reimaging \u201cMalayness\u201d through the artworks of Fyerool Darma Thesis Abstract: Having graduated in 2012 from LASALLE College of the Arts with a Bachelor of Arts (Honours), Fyerool Darma began experimenting with a \u201cself-absorbed\u201d body of &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/2018-theses\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1281","post","type-post","status-publish","format-standard","hentry","category-thesis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-kF","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=1281"}],"version-history":[{"count":3,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1281\/revisions"}],"predecessor-version":[{"id":1284,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1281\/revisions\/1284"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=1281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=1281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=1281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}