{"id":1530,"date":"2021-07-19T12:48:03","date_gmt":"2021-07-19T12:48:03","guid":{"rendered":"http:\/\/www.asianarthistories.com\/site\/?p=1530"},"modified":"2021-07-19T12:48:03","modified_gmt":"2021-07-19T12:48:03","slug":"2021-theses","status":"publish","type":"post","link":"https:\/\/www.asianarthistories.com\/site\/2021-theses\/","title":{"rendered":"2021 Theses"},"content":{"rendered":"Name: Masturah Sha\u2019ari \r\nThesis Title:  Spirit of Collectivism: Malay Art Societies in Singapore, 1940s-1970s\r\nThesis Abstract\r\nArt societies played a pivotal role in the development and art practices of artists in Singapore in the early years. The Malay art societies were especially important during a period when the art scene centred around the dominant Nanyang discourse and overlooked artists <a href=\"https:\/\/www.asianarthistories.com\/site\/2021-theses\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>Name: Masturah Sha\u2019ari Thesis Title: Spirit of Collectivism: Malay Art Societies in Singapore, 1940s-1970s Thesis Abstract Art societies played a pivotal role in the development and art practices of artists in Singapore in the early years. The Malay art societies &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/2021-theses\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1530","post","type-post","status-publish","format-standard","hentry","category-thesis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-oG","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=1530"}],"version-history":[{"count":1,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1530\/revisions"}],"predecessor-version":[{"id":1531,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1530\/revisions\/1531"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=1530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=1530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=1530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}