{"id":1664,"date":"2022-07-04T01:06:24","date_gmt":"2022-07-04T01:06:24","guid":{"rendered":"https:\/\/www.asianarthistories.com\/site\/?p=1664"},"modified":"2022-12-14T14:35:04","modified_gmt":"2022-12-14T14:35:04","slug":"2022-theses","status":"publish","type":"post","link":"https:\/\/www.asianarthistories.com\/site\/2022-theses\/","title":{"rendered":"2022 Theses"},"content":{"rendered":"Name: Yvonne Wang Yi Wen\r\nThesis Title: Printmaking as a Conceptual Device in Contemporary Chinese Art\r\nThesis Abstract\r\nThis thesis investigates the role of printmaking in contemporary Chinese art. It examines the use of printmaking as a conceptual device and critical tool through close reading of the works of three contemporary artists \u2013 Xu Bing, Fang Lijun, and Sun Xun. Each represents a generation <a href=\"https:\/\/www.asianarthistories.com\/site\/2022-theses\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>Name: Yvonne Wang Yi Wen Thesis Title: Printmaking as a Conceptual Device in Contemporary Chinese Art Thesis Abstract This thesis investigates the role of printmaking in contemporary Chinese art. It examines the use of printmaking as a conceptual device and &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/2022-theses\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1664","post","type-post","status-publish","format-standard","hentry","category-thesis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-qQ","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=1664"}],"version-history":[{"count":4,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1664\/revisions"}],"predecessor-version":[{"id":1717,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1664\/revisions\/1717"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=1664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=1664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=1664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}