{"id":1788,"date":"2024-01-09T02:27:39","date_gmt":"2024-01-09T02:27:39","guid":{"rendered":"https:\/\/www.asianarthistories.com\/site\/?p=1788"},"modified":"2024-02-12T03:23:03","modified_gmt":"2024-02-12T03:23:03","slug":"2023-theses","status":"publish","type":"post","link":"https:\/\/www.asianarthistories.com\/site\/2023-theses\/","title":{"rendered":"2023 Theses"},"content":{"rendered":"Name: Madeline Byrne\r\nThesis Title: The Queer Perspective: Examining a New Generation\u2019s Engagement with Identity in the Shifting Arts Landscapes of Singapore from 2016 to 2021\r\nThesis Abstract\r\nDespite the presence of queer art in all levels of exhibition spaces, there has been little study into queer art in Singapore. Study into queer Singaporean art becomes all the more pertinent with the noticeable <a href=\"https:\/\/www.asianarthistories.com\/site\/2023-theses\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>Name: Madeline Byrne Thesis Title: The Queer Perspective: Examining a New Generation\u2019s Engagement with Identity in the Shifting Arts Landscapes of Singapore from 2016 to 2021 Thesis Abstract Despite the presence of queer art in all levels of exhibition spaces, &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/2023-theses\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1788","post","type-post","status-publish","format-standard","hentry","category-thesis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-sQ","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=1788"}],"version-history":[{"count":4,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1788\/revisions"}],"predecessor-version":[{"id":1794,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1788\/revisions\/1794"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=1788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=1788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=1788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}