{"id":1848,"date":"2024-06-18T06:53:42","date_gmt":"2024-06-18T06:53:42","guid":{"rendered":"https:\/\/www.asianarthistories.com\/site\/?p=1848"},"modified":"2024-10-03T10:42:53","modified_gmt":"2024-10-03T10:42:53","slug":"2024-theses","status":"publish","type":"post","link":"https:\/\/www.asianarthistories.com\/site\/2024-theses\/","title":{"rendered":"2024 Theses"},"content":{"rendered":"Name: Patricia Ong Hwee Boon\r\nThesis Title: Historicisation of Cynical Realism (1990s\u20132010s)\r\nThesis Abstract\r\nThis thesis adopts a retrospective stance to examine the impact and implications of the art eco-system and its agencies (including the state, museums, auction houses and collectors) in shaping and influencing Cynical Realism during the 1990s to 2010s\u2014a stylistic genre that is widely regarded <a href=\"https:\/\/www.asianarthistories.com\/site\/2024-theses\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>Name: Patricia Ong Hwee Boon Thesis Title: Historicisation of Cynical Realism (1990s\u20132010s) Thesis Abstract This thesis adopts a retrospective stance to examine the impact and implications of the art eco-system and its agencies (including the state, museums, auction houses and &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/2024-theses\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1848","post","type-post","status-publish","format-standard","hentry","category-thesis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-tO","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=1848"}],"version-history":[{"count":3,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1848\/revisions"}],"predecessor-version":[{"id":1853,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1848\/revisions\/1853"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=1848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=1848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=1848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}