{"id":1904,"date":"2025-12-17T08:31:44","date_gmt":"2025-12-17T08:31:44","guid":{"rendered":"https:\/\/www.asianarthistories.com\/site\/?p=1904"},"modified":"2025-12-17T08:48:16","modified_gmt":"2025-12-17T08:48:16","slug":"2025-theses","status":"publish","type":"post","link":"https:\/\/www.asianarthistories.com\/site\/2025-theses\/","title":{"rendered":"2025 Theses"},"content":{"rendered":"Name: Sabrina Yin Fung Hung\r\nThesis Title: From Mansau-Ansau to Gotong Royong: The collaborative practice of Yee I-Lann and Pangrok Sulap\r\nThesis abstract\r\nThis thesis critically examines the work of Sabahan artist Yee I-Lann and collective Pangrok Sulap\u2019s in order to address the question of how frameworks for understanding collaboration can be more attuned to the specificities of context.\r\n\r\nIt <a href=\"https:\/\/www.asianarthistories.com\/site\/2025-theses\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>Name: Sabrina Yin Fung Hung Thesis Title: From Mansau-Ansau to Gotong Royong: The collaborative practice of Yee I-Lann and Pangrok Sulap Thesis abstract This thesis critically examines the work of Sabahan artist Yee I-Lann and collective Pangrok Sulap\u2019s in order &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/2025-theses\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-1904","post","type-post","status-publish","format-standard","hentry","category-thesis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-uI","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1904","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=1904"}],"version-history":[{"count":7,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1904\/revisions"}],"predecessor-version":[{"id":1913,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/1904\/revisions\/1913"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=1904"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=1904"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=1904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}