{"id":623,"date":"2013-12-06T08:18:10","date_gmt":"2013-12-06T08:18:10","guid":{"rendered":"http:\/\/www.asianarthistories.com\/site\/?p=623"},"modified":"2013-12-06T08:18:10","modified_gmt":"2013-12-06T08:18:10","slug":"concept-context-contestation-art-and-the-collective-in-southeast-asia","status":"publish","type":"post","link":"https:\/\/www.asianarthistories.com\/site\/concept-context-contestation-art-and-the-collective-in-southeast-asia\/","title":{"rendered":"Concept Context Contestation: Art and the Collective in Southeast Asia"},"content":{"rendered":"<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.asianarthistories.com\/site\/wp-content\/uploads\/2013\/12\/cccinvitation-150x150.jpg\" class=\"attachment-thumbnail alignleft autoexcerpt_thumb  wp-post-image\" alt=\"\" title=\"\" \/>Concept Context Contestation: Art and the Collective in Southeast Asia\r\n\r\n13 December 2013 - 2 March 2014, Bangkok Art and Cultural Centre\r\n\r\n\r\n\r\nThis exhibition is co-curated by Iola Lenzi, who teaches in the MA Asian Art Histories programme\r\n <a href=\"https:\/\/www.asianarthistories.com\/site\/concept-context-contestation-art-and-the-collective-in-southeast-asia\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>Concept Context Contestation: Art and the Collective in Southeast Asia 13 December 2013 &#8211; 2 March 2014, Bangkok Art and Cultural Centre This exhibition is co-curated by Iola Lenzi, who teaches in the MA Asian Art Histories programme Read more&#8230;.<\/p>\n","protected":false},"author":1,"featured_media":624,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[14],"tags":[],"class_list":["post-623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.asianarthistories.com\/site\/wp-content\/uploads\/2013\/12\/cccinvitation.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-a3","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=623"}],"version-history":[{"count":1,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/623\/revisions"}],"predecessor-version":[{"id":625,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/623\/revisions\/625"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media\/624"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}