{"id":795,"date":"2014-08-12T00:09:27","date_gmt":"2014-08-12T00:09:27","guid":{"rendered":"http:\/\/www.asianarthistories.com\/site\/?p=795"},"modified":"2014-08-12T00:09:27","modified_gmt":"2014-08-12T00:09:27","slug":"postgrad-info-day","status":"publish","type":"post","link":"https:\/\/www.asianarthistories.com\/site\/postgrad-info-day\/","title":{"rendered":"POSTGRAD INFO DAY"},"content":{"rendered":"<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.asianarthistories.com\/site\/wp-content\/uploads\/2014\/08\/graduate-150x150.jpg\" class=\"attachment-thumbnail alignleft autoexcerpt_thumb  wp-post-image\" alt=\"\" title=\"\" \/>POSTGRAD INFO DAY\r\n\r\nDate: Saturday, 16 August 2014\r\nTime: 11.45am - 12.25pm\r\nVenue: Room 201, Level 2, F Block, LASALLE College of the Arts, 1, McNally Street, Singapore 187940\r\n\r\nGuest speaker: Mr Low Sze Wee, Director, Curatorial and Collections, The National Gallery, Singapore\r\n\r\nTopic: What Makes Southeast Asian Art Distinctive?\r\nLight refreshments will be served. Admission is free <a href=\"https:\/\/www.asianarthistories.com\/site\/postgrad-info-day\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>POSTGRAD INFO DAY Date: Saturday, 16 August 2014 Time: 11.45am &#8211; 12.25pm Venue: Room 201, Level 2, F Block, LASALLE College of the Arts, 1, McNally Street, Singapore 187940 Guest speaker: Mr Low Sze Wee, Director, Curatorial and Collections, The &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/postgrad-info-day\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":797,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[15],"tags":[],"class_list":["post-795","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-talks"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.asianarthistories.com\/site\/wp-content\/uploads\/2014\/08\/graduate.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-cP","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=795"}],"version-history":[{"count":4,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/795\/revisions"}],"predecessor-version":[{"id":800,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/795\/revisions\/800"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media\/797"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}