Read more....<\/a>","protected":false},"excerpt":{"rendered":"24 August – 5 September 2014, Gajah Gallery The exhibition Tempus Fugit (Time Flies), curated by Daniela Beltrani, unravels Jason Lim’s performance art practice in two clear segments. The first (Timeline), dynamic by nature, has a purely art historical, non-commercial … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":832,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[14],"tags":[],"class_list":["post-831","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.asianarthistories.com\/site\/wp-content\/uploads\/2014\/08\/tempus.png","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-dp","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/831","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=831"}],"version-history":[{"count":1,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/831\/revisions"}],"predecessor-version":[{"id":833,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/831\/revisions\/833"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media\/832"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=831"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=831"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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24 August - 5 September 2014, Gajah Gallery\r\n\r\n\r\n\r\nThe exhibition Tempus Fugit (Time Flies), curated by Daniela Beltrani, unravels Jason Lim's performance art practice in two clear segments. The first (Timeline), dynamic by nature, has a purely art historical, non-commercial approach and probes into Lim's performance art practice from its very beginning in 1994 to the present time, considering his Read more....<\/a>","protected":false},"excerpt":{"rendered":"