{"id":862,"date":"2015-06-15T09:15:13","date_gmt":"2015-06-15T09:15:13","guid":{"rendered":"http:\/\/www.asianarthistories.com\/site\/?p=862"},"modified":"2015-06-15T09:15:13","modified_gmt":"2015-06-15T09:15:13","slug":"ambitious-alignments-new-histories-of-southeast-asian-art","status":"publish","type":"post","link":"https:\/\/www.asianarthistories.com\/site\/ambitious-alignments-new-histories-of-southeast-asian-art\/","title":{"rendered":"Ambitious Alignments: New Histories of Southeast Asian Art"},"content":{"rendered":"The Getty Foundation has funded a research programme developed by the University of Sydney\u2019s The Power Institute Foundation for Art and Visual Culture in conjunction with regional partners. Titled \u201cAmbitious Alignments: New Histories of Southeast Asian Art\u201d, the programme brings together early career scholars from Australia and Southeast Asia to pursue independent research and chart new methodological <a href=\"https:\/\/www.asianarthistories.com\/site\/ambitious-alignments-new-histories-of-southeast-asian-art\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>The Getty Foundation has funded a research programme developed by the University of Sydney\u2019s The Power Institute Foundation for Art and Visual Culture in conjunction with regional partners. Titled \u201cAmbitious Alignments: New Histories of Southeast Asian Art\u201d, the programme brings &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/ambitious-alignments-new-histories-of-southeast-asian-art\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-862","post","type-post","status-publish","format-standard","hentry","category-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-dU","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/862","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=862"}],"version-history":[{"count":1,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/862\/revisions"}],"predecessor-version":[{"id":863,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/862\/revisions\/863"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=862"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=862"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=862"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}