{"id":864,"date":"2015-06-15T09:15:47","date_gmt":"2015-06-15T09:15:47","guid":{"rendered":"http:\/\/www.asianarthistories.com\/site\/?p=864"},"modified":"2015-06-15T09:15:47","modified_gmt":"2015-06-15T09:15:47","slug":"new-museum-raises-questions-about-authenticity-of-indonesian-collectors-works","status":"publish","type":"post","link":"https:\/\/www.asianarthistories.com\/site\/new-museum-raises-questions-about-authenticity-of-indonesian-collectors-works\/","title":{"rendered":"New Museum Raises Questions about Authenticity of Indonesian Collector\u2019s Works"},"content":{"rendered":"In 2012, celebrated Indonesian art collector Oei Hong Djien, affectionately known as OHD, opened the third wing of his museum in Magelang, Central Java. Since it opened, there has been allegations that some of the works on display are forgeries of the paintings of Indonesian masters such as Affandi, Hendra Gunawan and S. Sudjojono. An association made up of collectors called the Indonesian Art Lovers <a href=\"https:\/\/www.asianarthistories.com\/site\/new-museum-raises-questions-about-authenticity-of-indonesian-collectors-works\/\" class=\"more-link\">Read more....<\/a>","protected":false},"excerpt":{"rendered":"<p>In 2012, celebrated Indonesian art collector Oei Hong Djien, affectionately known as OHD, opened the third wing of his museum in Magelang, Central Java. Since it opened, there has been allegations that some of the works on display are forgeries &hellip; <a href=\"https:\/\/www.asianarthistories.com\/site\/new-museum-raises-questions-about-authenticity-of-indonesian-collectors-works\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-864","post","type-post","status-publish","format-standard","hentry","category-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6nnKk-dW","_links":{"self":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/comments?post=864"}],"version-history":[{"count":1,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/864\/revisions"}],"predecessor-version":[{"id":865,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/posts\/864\/revisions\/865"}],"wp:attachment":[{"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/media?parent=864"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/categories?post=864"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asianarthistories.com\/site\/wp-json\/wp\/v2\/tags?post=864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}