Samantha Segar's professional career encompasses contemporary art, project management, luxury marketing, and leadership roles in non-profit organisations. She is currently Gallery Director at Chan Hampe Galleries, Singapore. Samantha obtained a Goldsmiths-validated MA in Asian Art Histories from LASALLE College of the Arts in 2015. Read more.... Samatha Segar (Graduated in 2015)
Category - alumni
Samantha Segar's professional career encompasses contemporary art, project management, luxury marketing, and leadership roles in non-profit organisations. She is currently Gallery Director at Chan Hampe Galleries, Singapore. Samantha obtained a Goldsmiths-validated MA in Asian Art Histories from LASALLE College of the Arts in 2015. Read more.... 
Noted Indonesian art critic and curator Jim Supangkat will deliver the fourth MA Asian Art Histories Annual Lecture on 25 March 2015.
Distinguished Speaker : Jim Supangkat
Moderator : Professor Yvonne Spielmann
Wed 25 March 2015
7.00pm-9.00pm
Block F Level 2 #F202
LASALLE College of the Arts
1 McNally Street
Free admission (on a first-come first-served basis)
RSVP: wulandani.dirgantoro@lasalle.edu.sg
A 
Jeffrey Say, Programme Leader of the MA Asian Art Histories Programme, will look back at the 10 defining moments which played a pivotal role in the development of Singapore art in the last 50 years.
The exhibition New Silk Roads: Painting Beyond Borders, to be held from 21 to 27 April 2015 at the ION Art Gallery, ION Orchard, will be ground-breaking: for the first time in Singapore, modern and contemporary painting from the Central Asian states of Kazakhstan, Turkmenistan and Uzbekistan will feature in a major show centering upon the region’s artists.
Curated by Sally J. Clarke, Co-Founder 
18 September 2014-4 January 2015, ARTER Space for Art, Istanbul, Turkey
The Roving Eye: Contemporary Art from Southeast Asia is a group exhibition that presents more than 40 works by 36 of Southeast Asia's most innovative contemporary artists from Indonesia, Thailand, the Philippines, Singapore, Myanmar, Cambodia, Vietnam and Malaysia. As well as introducing forms, materials, conceptual methodologies,