The Roving Eye: Contemporary Art from Southeast Asia

Category - exhibitions
18 September 2014-4 January 2015, ARTER Space for Art, Istanbul, Turkey The Roving Eye: Contemporary Art from Southeast Asia is a group exhibition that presents more than 40 works by 36 of Southeast Asia's most innovative contemporary artists from Indonesia, Thailand, the Philippines, Singapore, Myanmar, Cambodia, Vietnam and Malaysia. As well as introducing forms, materials, conceptual methodologies, Read more....

New Silk Roads: Painting Beyond Borders

Category - essays and articles
by Rachel Choo The ancient Silk Road – actually a network of established roads, unkempt pathways and evanescent desert trails – conducted goods, ideas, adventurers, spies, diplomats and armies from China, across the Eurasian continent to India, the Mideast and Europe, and back. The road has become a fabled metaphor for cosmopolitan wayfaring and exchange, despite the fact that it was also a Read more....

New Museums to Give Thai Contemporary Art A Boost

Category - news
Two new museums of contemporary art are set to give the Thai contemporary art scene a much-needed boost. Although Thai contemporary artists have established themselves globally, contemporary art museums are almost non-existent and engaging local audiences remain a challenge. http://asiancorrespondent.com/133327/two-new-museums-set-to-boost-contemporary-art-in-thailand/ Read more....

New Museum Raises Questions about Authenticity of Indonesian Collector’s Works

Category - news
In 2012, celebrated Indonesian art collector Oei Hong Djien, affectionately known as OHD, opened the third wing of his museum in Magelang, Central Java. Since it opened, there has been allegations that some of the works on display are forgeries of the paintings of Indonesian masters such as Affandi, Hendra Gunawan and S. Sudjojono. An association made up of collectors called the Indonesian Art Lovers Read more....

Ambitious Alignments: New Histories of Southeast Asian Art

Category - news
The Getty Foundation has funded a research programme developed by the University of Sydney’s The Power Institute Foundation for Art and Visual Culture in conjunction with regional partners. Titled “Ambitious Alignments: New Histories of Southeast Asian Art”, the programme brings together early career scholars from Australia and Southeast Asia to pursue independent research and chart new methodological Read more....