Professor David Clarke will deliver the 5th MA Asian Art Histories Annual Lecture on 10th March 2016
Distinguished Speaker : Professor David Clarke
Thursday 10th March 2016
7.00pm-9.00pm
Block F Level 2 #F202
LASALLE College of the Arts
1 McNally Street
Free admission (on a first-come first-served basis)
RSVP: wulandani.dirgantoro@lasalle.edu.sg
A reception will follow
There Read more.... Encountering Alterity: Linguistic Opacity in Visual Art
Professor David Clarke will deliver the 5th MA Asian Art Histories Annual Lecture on 10th March 2016
Distinguished Speaker : Professor David Clarke
Thursday 10th March 2016
7.00pm-9.00pm
Block F Level 2 #F202
LASALLE College of the Arts
1 McNally Street
Free admission (on a first-come first-served basis)
RSVP: wulandani.dirgantoro@lasalle.edu.sg
A reception will follow
There Read more.... 






by Luke Chua
The first international exhibition of the National Gallery Singapore (NGS), titled Reframing Modernism, rides on the huge waves generated by the opening of the Gallery as one of the largest visual art museums in the region in November 2015. The exhibition aim is impressive: to reframe the understanding of modernism which has been built by decades of art historical scholarship. While
On 4th March 2016, The MA Asian Art Histories students had their class at the National Gallery Singapore as part of the "Exhibitions and the Shaping of Art Histories in Asia" module. The class was conducted by Iola Lenzi, a specialist, writer and curator in Southeast Asian contemporary art. After the lecture, Iola brought the class to view and discuss selected works in relation to the lecture on conceptualism
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by Iola Lenzi -
Introduction
In his review of the Southeast Asian art exhibition of 2010 Making History Tony Godfrey, the author of Conceptual Art, assesses works by Alwin Reamillo (b.1964), Mella Jaarsma (b.1960), Vasan Sitthiket (b.1957),Tang Da Wu (b.1943), Nge Lay (b.1979), Green Zeng (b.1972), and Bui Cong Khanh (b.1972) as difficult to read, “... its (the exhibition’s) weakness is the