Shaping the Early Discourse of Southeast Asian Contemporary Art: Japan, Australia and Singapore
Date: Monday, 22nd February 2016
Time: 7pm-9pm
Venue: Block F, Room 202, LASALLE College of the Arts
Synopsis:
This forum is intended to be a conversation between three curators from Japan, Australia and Singapore who were involved in exhibitions that had influenced and shaped the early discourse Read more.... Shaping the Early Discourse of Southeast Asian Contemporary Art: Japan, Australia and Singapore
Category - forums
Shaping the Early Discourse of Southeast Asian Contemporary Art: Japan, Australia and Singapore
Date: Monday, 22nd February 2016
Time: 7pm-9pm
Venue: Block F, Room 202, LASALLE College of the Arts
Synopsis:
This forum is intended to be a conversation between three curators from Japan, Australia and Singapore who were involved in exhibitions that had influenced and shaped the early discourse Read more.... 
Professor David Clarke will deliver the 5th MA Asian Art Histories Annual Lecture on 10th March 2016
Distinguished Speaker : Professor David Clarke
Thursday 10th March 2016
7.00pm-9.00pm
Block F Level 2 #F202
LASALLE College of the Arts
1 McNally Street
Free admission (on a first-come first-served basis)
RSVP: wulandani.dirgantoro@lasalle.edu.sg
A reception will follow
There 
by Luke Chua
The first international exhibition of the National Gallery Singapore (NGS), titled Reframing Modernism, rides on the huge waves generated by the opening of the Gallery as one of the largest visual art museums in the region in November 2015. The exhibition aim is impressive: to reframe the understanding of modernism which has been built by decades of art historical scholarship. While 
On 4th March 2016, The MA Asian Art Histories students had their class at the National Gallery Singapore as part of the "Exhibitions and the Shaping of Art Histories in Asia" module. The class was conducted by Iola Lenzi, a specialist, writer and curator in Southeast Asian contemporary art. After the lecture, Iola brought the class to view and discuss selected works in relation to the lecture on conceptualism 
by Christiaan Haridas, Hsu Chin Miao and Yeow Ju Li
There was no better place to begin our trip and introduction to Indian art history than a visit to the National Museum, New Delhi, where we were awed by the richness of the Indus Valley civilisation as seen through its collection of Harrapan, Mauryan and Buddhist artefacts, and miniature paintings (Fig. 1). There, we learnt about the iconography